ANNE UBERSFELD READING THEATRE PDF

First published in France in , Anne Ubersfeld's three-volume work, Lire le theatre, has made a resounding impact on the semiological study of drama. Reading Theatre is a long-awaited translation of the first volume. Clear and systematic in its approach, the book covers all the basic elements of theatrical text and performance. Ubersfeld begins by refuting the view of performance as the simple 'translation' of a dramatic text, and outlines a much more complex dynamic. In subsequent chapters she similarly begins with a brief critique of simplistic models and then teases out the complexities of action, character, space, time, and dialogue. A range of specific examples brings substance and clarity to her points.

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We use cookies to give you the best possible experience. By using our website you agree to our use of cookies. We can notify you when this item is back in stock. Marcel Danesi. John Deely. Thomas A. Soren Brier. Gary Genosko. Francois Tochon. Horst Ruthrof.

Floyd Merrell. Jargen Dines Johansen. Howard Smith. Johannes Ehrat. Edwina Taborsky. Home Contact us Help Free delivery worldwide. Free delivery worldwide. Bestselling Series. Harry Potter. Popular Features. Home Learning. Reading Theatre. Notify me. Description First published in France in , Anne Ubersfeld's three-volume work, Lire le theatre, has made a resounding impact on the semiological study of drama. Reading Theatre is a long-awaited translation of the first volume. Clear and systematic in its approach, the book covers all the basic elements of theatrical text and performance.

Ubersfeld begins by refuting the view of performance as the simple 'translation' of a dramatic text, and outlines a much more complex dynamic. In subsequent chapters she similarly begins with a brief critique of simplistic models and then teases out the complexities of action, character, space, time, and dialogue.

A range of specific examples brings substance and clarity to her points. Ubersfeld shows how such formal analysis can enrich the work of theatre practitioners, offering a fruitful reading of the symbolic structures of stage space and time, and opening up multiple possibilities for interpreting a play's lines of action.

Though firmly grounded in formalist and semiotic studies, the book exhibits a refreshing scepticism about scientific positivism, stressing the fundamental ambiguity of any dramatic text as well as the sociohistorical grounding of particular text and performance styles.

A pioneering work, this contemporary classic continues to inform debates in theatre semiotics. Addressed as much to actors and directors as to students and scholars, it will be read widely in theatre circles throughout the English-speaking world.

Other books in this series. The Quest for Meaning Marcel Danesi. Add to basket. Four Ages of Understanding John Deely. Signs Thomas A. Cybersemiotics Soren Brier. Remodelling Communication Gary Genosko. Tropics of Teaching Francois Tochon. Semantics and the Body Horst Ruthrof. Sensing Corporeally Floyd Merrell. Literary Discourse Jargen Dines Johansen. Peirce, Signs, and Meaning Floyd Merrell. Teaching Adolescents Howard Smith. Cinema and Semiotic P. The Textual Society Edwina Taborsky.

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Reading Theatre

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Ubersfeld show how formal analysis can enrich the work of theatre practioners and offers a reading of the symbolic structures of stage space and time as well as opening up mulitple possibilities for interpreting a play's line of action. Open Access. About Us. English Deutsch. Sign In Create Profile.

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