HANSLICK ON THE MUSICALLY BEAUTIFUL PDF

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Eduard Hanslick. Vischer Franz Grillparzer German Gustav Cohen Hanslick's book harmonic series harmony hearer ideal content ideas imagination impression instrumental music Johann Mattheson Kapellmeister Kunst Leipzig listener manifestations material means melody mental mind motion Mozart musical aesthetics musical artwork musical elements musically beautiful musician Musik Musikalisch-Schonen Musikalische nature nerves opera Otto Jahn overture painting particular passions Payzant philosophical physiological piece of music poetical poetry principle produces purely purpose of music regard relationships represent representation reprint rhythm Richard Wagner Robert Zimmermann sensation sense sensuous sonata song sound specific feeling specifically musical spirit symphony theme theory thesis tion tonal system tones translation words.

Love cannot be thought without the representation of a beloved person, without desire and striving after felicity, glorification and possession of a particular object. Not some kind of mere mental agitation, but its conceptual core, its real, historical content, specifies this feeling of love. Accordingly, its dynamic can appear as readily gentle as stormy, as readily It is a specifically musical kind of beauty.

By this we understand a beauty that is self-contained and in no need of content from outside itself, that consists simply and solely of tones and their artistic combination. Our opinion regarding the seat of the intellectual and emotional elements of a musical composition stands in the same relation to the popular way of thinking as the idea of immanence does to that of transcendence.

The object of every art is to clothe in some material form an idea which has originated in the artist's imagination. In music this idea is an acoustic one; it cannot be expressed in words and subsequently It is the mental satisfaction which the listener finds in continuously following and anticipating the composer's designs, here to be confirmed in his expectations, there to be agreeably led By this we mean that the beautiful is not contingent upon nor in need of any subject introduced from without, but that it consists wholly of sounds artistically combined.

The ingenious coordination of intrinsically pleasing sounds, their consonance and contrast, their flight and reapproach, their increasing and diminishing strength— this it is which, in free and unimpeded forms, presents itself to our mental vision. But a musical idea brought into complete manifestation in appearance is already self-subsistent beauty; it is an end in itself, and it is in no way primarily a medium or material for the representation of feelings or conceptions.

The content of music is tonally moving For example, fear, anxiety, alarm, terror are of course further modifications of one and the same sort of feeling, but in part they are only quantitative intensifications, in part just forms not affecting Eduard Hanslick , Geoffrey Payzant.

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Eduard Hanslick

Eduard Hanslick. Vischer Franz Grillparzer German Gustav Cohen Hanslick's book harmonic series harmony hearer ideal content ideas imagination impression instrumental music Johann Mattheson Kapellmeister Kunst Leipzig listener manifestations material means melody mental mind motion Mozart musical aesthetics musical artwork musical elements musically beautiful musician Musik Musikalisch-Schonen Musikalische nature nerves opera Otto Jahn overture painting particular passions Payzant philosophical physiological piece of music poetical poetry principle produces purely purpose of music regard relationships represent representation reprint rhythm Richard Wagner Robert Zimmermann sensation sense sensuous sonata song sound specific feeling specifically musical spirit symphony theme theory thesis tion tonal system tones translation words. Love cannot be thought without the representation of a beloved person, without desire and striving after felicity, glorification and possession of a particular object. Not some kind of mere mental agitation, but its conceptual core, its real, historical content, specifies this feeling of love. Accordingly, its dynamic can appear as readily gentle as stormy, as readily It is a specifically musical kind of beauty.

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On The Musically Beautiful

Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free app, enter your mobile phone number. Like Hanslick, Professor Payzant is both musician and philosopher; and he has brought the knowledge and insights of both disciplines to this large undertaking. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? Read more Read less.

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