ARNOLD SCHOENBERG PRELIMINARY EXERCISES IN COUNTERPOINT PDF

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Purchase the bundle of 9 volumes through PayPal or credit card and receive your personal copy as an e-mail attachment within 24 hours. On this page you will find marked and annotated score examples from the Arnold Schoenberg book on tonal counterpoint see reference.

The examples are provided as a bundle of pdf-booklets see the table with links below. The notation is explained on this page. Composer Arnold Schoenberg wrote a textbook see reference at page bottom to teach the fundamentals of Tonal Counterpoint. In the book Schoenberg presents and discusses the rules for writing classical, tonal counterpoint.

Start with the Cantus Firmus melodic aspects , and add the counterpoint voices species, treatment of non-harmonic tones, melodic formulas, voice leading aspects.

The book contains many examples with discussion and explanatory notes. However, the score examples are written in the old vocal clefs including alto end tenor clef , and the examples must be carefully studied to see the application of the rules, find strong and weak points, etc.

The usage of the old clefs makes reading difficult I admit and therefore, when studying the book quite a while ago I decided to rewrite them in treble G and bass clef F and provide marks in the score, to illustrate the aspects discussed in the text. Now, these handwritten notes have been entered in the Finale music notation software and are available as pdf-booklets with annotated score examples.

Use these score examples as additional material, when studying the Schoenberg book. To me it has been most useful in training the reading and writing of counterpoint music and identifying appropriate elements in and between the individual voices. However, note that the notation marks have not been used with the utmost consistency. The reader may find aspects that have not been marked in the scores. The booklets are already a great improvement to the printed examples in the book.

The tonal counterpoint booklets may also be used as exercises for training and developing the writing skills in tonal counterpoint. Instead of reading the annotated worked out examples, cover all staves with a card, except for the cantus firmus. Try your own solution to the problem, then compare your alternative with the original example. Frans Absil. How to use the counterpoint booklets for developing counterpoint writing skills: The tonal counterpoint booklets may also be used as exercises for training and developing the writing skills in tonal counterpoint.

Home Top of Page. Simple Counterpoint in 2 Voices; first and second species major. Examples: Ex. Simple Counterpoint in 2 Voices; third species major. Simple Counterpoint in 2 Voices; fourth and fifth species major. Simple Counterpoint in 2 Voices; first, second, third, fourth and fifth species minor.

Simple Counterpoint in 2 Voices; cadences and modulations major and minor. Simple Counterpoint in 3 Voices; first, second and third species major and minor. Simple Counterpoint in 3 Voices; fourth and fifth species.

Simple Counterpoint in 3 Voices; Compositional application cadences without cantus firmus, modulation. Simple Counterpoint in 4 Voices; first, second and third species major and minor. Simple Counterpoint in 4 Voices; fourth and fifth species major and minor.

Simple Counterpoint in 4 Voices; Addition of voices.

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Arnold Schoenberg Preliminary Exercises in Counterpoint

Composed by Arnold Schoenberg Edited by Leonard Stein. This name will appear next to your review. Leave it blank if you wish to appear as "Anonymous". Used to contact you regarding your review.

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ISBN 13: 9780571092758

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