FANTASIAS DE TELEMANN PDF

It is one of Telemann's collections of music for unaccompanied instruments, the others being twelve fantasias for solo flute and thirty-six for solo harpsichord that were published in Hamburg in —33, as well as a set of twelve fantasias for solo viola da gamba that was published in the same city in , but were considered lost until a copy of the print was found in a private collection in by viola da gamba player and musicologist Thomas Fritzsch. This scheme does not resemble that of the twelve flute fantasies, which progress in a roughly stepwise direction from A major to G minor. He has, indeed, described the collection as "12 fantasias Telemann's violin fantasias exhibit mastery of not only compound melodic lines, but also of idiomatic writing for violin, [4] as Telemann himself was a self-taught violinist.

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Fantasia No. Genre Categories Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; For 1 player arr ; Scores featuring the recorder arr ; For trumpet arr ; Scores featuring the trumpet arr ; For recorder, continuo arr ; For 1 player with continuo arr ; Scores with basso continuo. Creative Commons Attribution Non-commercial 3. Naxos Javascript not enabled. Hence, the edition is public domain in its country of origin or a government publication.

Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'. They may not be public domain elsewhere. More information about this can be found here. Please obey the copyright laws of your country.

IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Creative Commons Attribution Share Alike 3. Creative Commons Attribution-NonCommercial 4. Creative Commons Attribution 3. First Pub lication. Fantasias ; For flute ; Scores featuring the flute ; For 1 player ; For recorder arr ; For 1 player arr ; Scores featuring the recorder arr ; For trumpet arr ; Scores featuring the trumpet arr ; For recorder, continuo arr ; For 1 player with continuo arr ; Scores with basso continuo.

Contents 1 Performances 1. Performer Pages Tokinori Yanagita baroque flute. These file s are part of the Werner Icking Music Collection. Javascript is required for this feature. Editor First edition. Kassel: Barenreiter Verlag , Editor Barthold Kuijken Monteux: Musica Rara, Plate MR Editor's preface deleted.

Lilypond source files , Lilypond source files modified to compile on Debian Jessie and a version transposed for recorder. Editor Rarus. Editor Andrea Bornstein. Arranger Manfred Harras. Plate BA Preface eliminated. This appears to be a mere transposition. If so, the copyright claim is bogus as simple transposition completely fails to meet the threshold of originality required to qualify as a derivative work or adaptation. Arranger Jay Lichtmann.

Hartford: Jay Lichtmann. Proyecto CCA Santiago de Chile — Plate Telemann, Georg Philipp. Wikipedia article.

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12 Fantasias for Solo Flute (Telemann)

Fantasia in A minor, TWV Selections from Nos. Naxos Javascript not enabled. Hence, the edition is public domain in its country of origin or a government publication. Such editions are also public domain in Canada because they fail to meet the minimum 'threshold of originality' to qualify for copyright as an 'adaptation'.

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12 Fantasias for Flute without Bass, TWV 40:2-13 (Telemann, Georg Philipp)

An extant copy of the publication, conserved in Brussels, has a spurious title page reading Fantasie per il Violino senza Basso Fantasias for Solo Violin. The collection is arranged by key , progressing more or less stepwise from A major to G minor. Telemann deliberately avoided keys that are impractical on the one-key flute, i. B major, C minor, F minor and F-sharp major. There are two ways to view the overall structure of the collection: one way, in which the work is divided into two parts, is suggested by the fact that Fantasia 7 begins with a French overture , indicating a start of a new section. Another was proposed by scholar Wolfgang Hirschmann : there are four modal groups of three fantasias: major-minor-minor, major-major-minor, major-minor-major, and minor-major-minor.

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