BRANDON LABELLE ACOUSTIC TERRITORIES PDF

Brandon LaBelle. To do so, I hope to follow sound as it comes to impart meaningful exchanges for and against the singular body, and further, how it locates such a body within a greater social weave. From my perspective, sound operates as an emergent community , stitching together bodies that do not necessarily search for one another, forcing them into proximity, association. Such movements in turn come to construct a spatiality that is both coherent and divergent — acoustic spatiality and orientation may provide a lesson in negotiation, for it breaks apart, interrupts, while also mending, assembling; it disrupts the lines between inside and outside, pulling into its weave the private and the public to ultimately remake notions of difference and commonality.

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Brandon Labelle. The full text of this book is only available to members of institutions that have purchased access. If you belong to such an institution, please login or read more about How to Order.

The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives--it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies.

Brandon LaBelle traces sound culture through a topographic structure: from underground territories to the home, and further, into the rhythms and vibrations of streets and neighborhoods, and finally to the sky itself as an arena of transmitted imaginaries.

The new edition includes an additional "global territory" of the relational, positioning acoustics as a range of everyday practices that rework dominant tonalities.

Questions of orientation and emplacement are critically raised, reframing listening as multi-modal and intrinsic to resistant socialities and what the author terms "acts of compositioning. Acoustic Territories continues to uncover the embedded tensions and potentialities inherent to sound as it exists in the everyday spaces around us.

Carla Maier. Merrie Snell. Annoying Music in Everyday Life. Felipe Trotta. Diane Silverthorne ed. Labelle, B. London: Bloomsbury Academic.

Labelle, Brandon. London: Bloomsbury Academic, Bloomsbury Collections. Accessed June 5, Share x. Buy This Book. Book DOI Back matter Epilogue: Queer listening, acoustic justice, and acts of compositioning pp. Notes pp. Bibliography pp. Index pp. Lipsynching Merrie Snell Preview Only.

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Acoustic Territories

Brandon Labelle. The full text of this book is only available to members of institutions that have purchased access. If you belong to such an institution, please login or read more about How to Order. The revised edition of Acoustic Territories: Sound Culture and Everyday Life offers an expansive reading of auditory life. It provides a careful consideration of the performative dynamics inherent to sounding and listening, and discusses how sound studies may illuminate understandings of contemporary society. Combining research on urbanism, popular culture, street life and sonic technologies, Acoustic Territories opens up a range of critical perspectives--it challenges debates surrounding noise pollution and charts an "acoustic politics of space" by engaging auditory experience as found within particular cultural histories and related ideologies.

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